The Demon King

I spent the month of August working on my book project and two academic essays, but I can’t stop thinking about the novel I want to write. I’m starting to get a sense of the story progression and the major twists in the plot, and I’m also beginning to visualize a few of the dramatic high points. Although I’m sure I could (and I will) write pages and pages of chapter outlines and character details, what I’d like to do first is write something resembling a pitch. I’m still working on this summary, but I thought I’d share what I have so far…

    Plot

People say that a tall and terrible tower rises from the dark heart of a wasteland swarming with evil, and that a dark lord reigns over the monsters of his hideous domain from the top of this tower. Balthazar is that dark lord, and he’s doing the best he can. Despite his godlike power, he just can’t get people to stop pestering him with administrative annoyances.

The biggest thorn in his side is the kingdom of Whitespire, which is ruled by Princess Ceres. Ceres is beautiful, flawless, and adored by her subjects, but she has an unpleasant habit of sending “heroes” into the wasteland to fight the demon king. Balthazar is nothing short of invincible, and no ordinary hero has the slightest hope of defeating him. Ceres knows this, which is why she uses Balthazar as an excuse to rid her kingdom of dangerous upstarts and dissidents. Balthazar knows exactly what’s going on, but he tolerates it. In fact, he and Ceres are in regular communication. Although they get on each other’s nerves, the demon king and the princess are secret allies and perhaps even something resembling friends.

This state of affairs is disturbed by rumors that a hero has drawn the Dawnsword sleeping deep in the caverns under Whitespire Castle. This sword is an ancient relic believed to have been forged by the very goddesses who created the world. The rumors that a hero has drawn the legendary sword prove to be true, and before long this hero appears in the wastelands, demanding the right to challenge the demon king. Balthazar has the hero escorted to his tower, only to find that she is all of ten years old. The girl can’t seem to remember how she drew the sword, where she came from, or even her own name. Not knowing what else to do, Balthazar decides to care for her until he can figure out how to destroy the Dawnsword, which is indeed the only weapon capable of harming him. He calls the girl Hero, and the name sticks.

    Characters

Balthazar is a wizard whose power is without equal among mortals. He built the tower that rises over the wastelands through the sheer force of his will, and the scale of the monument has attracted other nonhuman races to the territories he has claimed. He is a competent administrator but not a particularly nice person. He’s called “the demon king” not just because of his fierce temper but also because he is a rare full-blooded demon. Despite being large and muscular, Balthazar finds violence distasteful and often leaves the dirty work of dealing with invading “heroes” to his four generals. His hobbies include dressing in flashy outfits and reading trashy romance novels. He’s in his late thirties but looks much older.

Ceres, the radiantly beautiful princess of Whitespire, is in her thirties but looks much younger, an illusion she goes to great lengths to maintain. She has inherited the magical abilities of the royal bloodline, but she’s careful not to draw attention to the true extent of her power. As the public face of the monarchy, Ceres seems to be a paragon of wisdom and virtue, but she employs a number of confidants to conduct her business from the shadows. In fact, Balthazar may be one of the least unsavory people who knows her true face. Ceres is constantly under a great deal of pressure, and she has a bit of a drinking problem.

Hero is a rude and savage girl of unknown origins who seems to be roughly ten years old. She managed to draw the sacred Dawnsworn that has been sleeping under Whitespire Castle for hundreds of years, but no one knew anything about her before she suddenly appeared at the castle gates claiming that she would be the one to defeat the demon king. Although Hero is generally good-natured, she fights with the skill of an experienced warrior, and she possesses extraordinary powers that tend to manifest at inopportune times. She worships and adores Ceres but only barely tolerates Balthazar.

Demon King Cares for Wayward Child

I’ve written a lot of fanfic during the past two years, and I just finished up a huge project that got some great feedback along the way.

I’m starting to think about “the next step” after fandom, and I think I’d like to get more into comics. I just approached two artists to ask about commissioning some short fancomics, which will hopefully help me get a bit of practice. I’m very nervous about this; but I also feel that, if I have good ideas and the resources to bring them to fruition, then I should go for it!

I’m also starting to think about original projects. I’ve been playing with an idea for a novel that I’m currently referring to by the title “Demon King Cares for Wayward Child,” and it goes something like this…

There is Demon King who looks like a huge buff meathead but is actually a powerful wizard. He lives in a tower in the wastelands of a high fantasy kingdom. There are nothing but ruins (dungeons and such) in this area, but the understanding within the kingdom is that he has taken territory that does not belong to him and is threatening the border. He does indeed have secret nefarious plans (involving elder gods or something of that nature), but he doesn’t really care about the kingdom at all and simply sees himself as keeping the peace by providing a sanctuary of sorts for other monsters.

One day a hero comes to slay the Demon King, but it turns out that this “hero” is a ten-year-old girl. She’s somehow managed to get her hands on a magical sword that could technically defeat him, but how it came into her possession is something of a mystery. In any case, it turns out that this girl doesn’t have anywhere else to go, so the Demon King decides to keep her with him in sort of a Dread Pirate Roberts “I’ll most likely kill you in the morning” situation. Not killing the girl turns out to be a challenge, as she’s headstrong and a complete savage.

Meanwhile, the Demon King is corresponding (via magic?) with the reigning adult princess of the kingdom. The princess doesn’t particularly see him as a threat, but she also doesn’t want her kingdom to have to go to war with him. She’s been trying to put it off as long as possible, and in the meantime she blames everything that goes wrong on the Demon King. They are awful and catty and cruel to one another, and it’s very clear to their respective minions that they’re totally in love.

The four intersecting storylines are therefore the Demon King’s progress toward his secret nefarious plot, the identity of the child hero and the provenance of her sword, the growing tensions between the castle and the tower, and the love story between the Demon King and the princess. What pulls everything together, however, are the shenanigans of the child hero and the over-the-top angry responses of the Demon King.

This still needs some polishing, as well as named characters and a better title, but I’ve been amusing myself by imagining the plot as a series of four-panel gag manga. Perhaps I could write both the novel and a comic strip simultaneously…?

Writing Het Romance in Fanfic

The more I study shōjo manga, the more interested I’ve become in romance tropes. Based on about a month of observation throughout about two dozen fandoms on AO3, here are my notes on the sort of stories that get hundreds of kudos within the first day of being posted. I’m not judging, just observing:

(1) Ideally, one should be writing for a popular pairing in a popular entertainment franchise.

Even more ideally, the writer should also have a huge following on Tumblr because of their artwork. I actually think that the single most effective thing you can do to improve the reception of your writing is to develop your skill in visual art, but writing for a popular pairing definitely helps.

(2) The story needs to be at least 3,000 words, and 4,500 words is ideal.

The most effective structural balance seems to be 800 to 1,000 words of setup, 1,500 to 2,500 words of erotica, and maybe around 500 words of postcoital conversation. If an author can consistently put out a 4,500 word chapter of a slow burn novel every week (or, in a best-case scenario, twice a week), then the story has the potential to get massive numbers of hits and kudos, but intense sexual tension still needs to be incorporated every four chapters or so.

(3) The male lead needs to be scary.

If he’s murdered people, that’s good. If he’s murdered entire geographical populations of people, that’s even better. The idea is that he’s misunderstood and really a gentle person, but that he will only show this side of himself to his female love interest.

(4) The male lead needs to hate himself.

“I’m a monster,” he needs to think. “I’m a terrible, terrible monster, and no one will ever love me.” This is the cue for the heroine to step in and heal him with amazing therapeutic sex. She is special because her hidden depths allow her to see past all the murder. Basically, this is a way to flatter the reader, who also possesses hidden depths and is able to love the male character despite the fact that he’s scary.

(5) Both the male and female lead need to have tragic pasts.

Even if one or both parties haven’t been abused or mistreated in canon, they still need to bond and express vulnerability by revealing their secret trauma to one another. This creates feelings of mutual understanding and sympathy that pave the way for sexytimes.

(6) One or both parties need to feel intense guilt about their intimacy.

“No, I shouldn’t” and “No, we shouldn’t” are common phrases. One party needs to either convince or coerce the other party into a sexual situation. The “I’m a terrible monster” trope ties directly into this, especially if the male partner gets a bit angsty or violent. The more dubious the consent, the better. Obviously this is not a good model for relationships in the real world, but it’s precisely because it’s fiction that things can get a little rough and kinky without anyone getting hurt.

Again, I’m not judging, just observing. It’s easy to look at some of these tropes and pass them off as simple self-imposed misogyny, but I really don’t think that’s what’s going on in a lot of the fanfic I’ve read. Based on the quality of the writing, I also don’t think most of these authors are young and inexperienced. Obviously this is a very shallow summary of these narrative patterns, and I’m interested in conducting a more detail-oriented and nuanced study.