A Record of the Calamity

This collection of meta essays explores the worldbuilding and cultural background of Hyrule and its inhabitants during the timeline of Breath of the Wild and Tears of the Kingdom.

Ninja Lore in Breath of the Wild
On the historical precedents of the Sheikah, the origins of the names “Yiga” and “Kohga,” and how the culture of historical ninja is referenced in the story and setting of Breath of the Wild.

Governance in Hyrule
On the nature and questionable necessity of the Hyrulean monarchy in comparison with other systems of governance in Hyrule.

Zelda and the Calamity
On how Zelda’s repressed emotions may have surfaced in a tragic explosion of chaotic power.

Ganondorf as an Agent of Change
On Ganondorf’s role as the villain of a heroic fantasy, the existential challenge he poses to Hyrule, and the necessity of disruption to an otherwise closed system.

Ganondorf’s Design in Tears of the Kingdom
On the Japanese cultural references incorporated into Ganondorf’s visual design.

The Two Kings in Tears of the Kingdom
On the fantasies of Japanese cultural identity represented by Rauru and Ganondorf, and why the power structures associated with the two kings are disavowed by Zelda.

The Shadows of Hyrule

Honey, everyone has a murder dungeon in Kakariko Village.

The joke is that, while the “evil” Yiga Clan is characterized as violent and bloodthirsty in Breath of the Wild, the “good” Sheikah Clan is canonically just as disturbing. They’re all magical ninja assassins. What do you expect?

These two characters are Sooga and Impa from the Breath of the Wild AU melee fighting game Age of Calamity, and this is fan art of the four-part Sooga/Impa fancomic Shadow Folk by Frankiesbugs on Tumblr. You can read Shadow Folk on Tumblr starting (here), or you can donate 1€ to download a PDF version (here). I have to admit that I never considered any sort of relationship between Impa and Sooga until I read this comic, but the art is stylish and beautiful and the story is a lot of fun.