I’m excited to announce that preorders are open for The Eyes of Hyrule, a Legend of Zelda fanzine devoted to the Sheikah. The zine’s Carrd is (here), and you can check out more previews on its Twitter account (here).
There’s a lot of talent involved in this project, and the mods have been totally on the ball at keeping everything organized for the zine, which is expected to ship out this summer. It’s always a pleasure to be part of a project where everything clicks and comes together so well. Also, I might be biased, but I think the stories (and comics!) in this zine are especially interesting and unique.
My own piece, “The Only Come Out at Night,” is a soft horror story about Kakariko Village in Ocarina of Time. It’s narrated from the perspective of Grog, the punk kid who hangs out near the entrance of the village at night. During the trading sequence necessary to acquire Biggoron’s Sword, the player can pick up hints that Grog’s story is much darker and more complicated than his initial appearance would suggest. I therefore wanted to use this character to explore the darker side of the Sheikah through the medium of a Stephen King style “peculiar little town” story. I had a lot of fun writing this piece, and I can’t wait to share it.
If you’re interested, you can preorder a copy of The Eyes of Hyrule via Bigcartel (here).
I was recently thinking about what a modern version of Hyrule would look like, and I was imagining how fun it would be for Link to encounter the Master Sword during a class trip to a museum. When I started sketching, however, what I ended up drawing is a reincarnation of Ganon seeing his crown from Ocarina of Time. The moment I wanted to capture is the calm immediately before a terrible storm.
Also, as someone who loves art and history, I tend to dislike museums, but that’s another story entirely.
This is the third and final section of a speculative comic about gods and mortals in Legend of Zelda lore and mythology. The first part is (here), and the second part is (here). This is a continuation of the ideas I expressed in a short collaboration comic called Hylia’s Chosen Knight.
The goddess Hylia is more than a little scary, and it’s interesting to think of Ganondorf as being the hero of another story. I’m fascinated by the theme of “the failed or corrupted hero,” and I think it would be interesting if Ganondorf went on a quest that paralleled Link’s journey. Maybe young Ganondorf saw Hylia as the villain, but the power he needed to stand against Hyrule ended up overwhelming him. To me, that’s much more compelling than the idea of power only being “good” when it’s wielded by the “chosen” person.
This is the second section of a speculative comic about gods and mortals in Legend of Zelda lore and mythology. It’s a continuation of the ideas I expressed in a short collaboration comic called Hylia’s Chosen Knight. The first part is (here), and the third and final part is (here).
I contributed a story about Impa and Princess Zelda titled “Watching from the Shadows” to Goddess Reborn, a zine celebrating the female characters of the Legend of Zelda series. You can check out the zine’s Twitter account (here), and you can read my story on AO3 (here). Here’s a short description of the story…
Impa prepares to train Princess Zelda as a Sheikah warrior during the year following the fall of Hyrule Castle. Zelda is tired of hiding and eager to fight, so Impa shares stories from the past to demonstrate that there is wisdom in waiting for the right moment to strike.
This spot illustration was created by the magical and marvelously skilled Frankiesbugs, whose sharp and deadly work can be found on Tumblr, on Twitter, and on Instagram.
I’m excited to share a preview of the story I contributed to Goddess Reborn, a collection of art and fiction that celebrates the female characters of the Legend of Zelda series.
The zine is beautifully inclusive, and the amount of love that has gone into this project has been incredibly uplifting. I can’t wait for everyone to share their full pieces, but you can check out previews on Twitter (here) in the meantime. Preorders are open until May 31, and all proceeds go to international women’s charities.
I just posted a short story about the Poe Collector in Ocarina of Time on AO3. It’s a spooky fandom treat for Halloween, and you can read it (here).
This story is about what it might have been like to live in Hyrule after the castle fell to Ganondorf, and I really enjoyed exploring the postapocalyptic environment. The story is also about standing up to power and the abuse of authority, even when it won’t benefit you in any way. Grand acts of heroism are all well and good, but it’s also nice to be too weird to care about what people think of you.
The illustration is by Frankiesbugs, whose creepy-cute art you can find on Instagram (here) and on Tumblr (here). They actually created two color variations, the one with the Halloween-inspired palette that I posted above, and a more Film Noir style version that I posted along with the fic on AO3 – and that they posted on Tumblr (here). It was difficult to choose between such gorgeous and stylish pieces! If you’d like to get a better understanding of just how brilliant Frankiesbugs is, you can check out the concept sketch I sent them (here). This artist’s illustrations have been one of my primary inspirations in writing Legend of Zelda horror stories, and it’s always a pleasure to work with them. You can read some of the horror-themed comics we’ve created together (here) and (here).
I sometimes think about how Ganondorf more than likely didn’t start out as evil. I imagine that he probably went on a journey that paralleled Link’s, but his reaction to the secrets he found in hidden caves and forgotten temples was substantially different due to the circumstances of his life and destiny. While the Legend of Zelda games contain subtle elements of melancholy from Link’s perspective, Ganondorf’s story is more like a full-on Greek tragedy.
Only Power Remains is an Ocarina of Time fancomic that explores the backstory of Ganondorf, the iconic villain of the Legend of Zelda games. According to the series lore, Ganondorf was the only male child born to the Gerudo, and otherwise all-female society living in the desert at the border of the kingdom of Hyrule. Through a series of connected scenes, Only Power Remains investigates how Ganondorf grew from a strong-willed boy to a power-hungry warlord.
This comic is a fascinating and insightful exploration of Ganondorf’s backstory that rings true to the Legend of Zelda canon while still being accessible to casual fans of the series. It also stands on its own as a cohesive story, and I would happily recommend it to curious readers who may not be familiar with the details of the Zelda games. Louisa Roy’s writing is sharp and original, and her vibrant and expressive art does a lot of heavy lifting in terms of introducing and developing established characters.
In her extensive “Author Notes” at the end of the zine, Roy explains that she especially enjoyed drawing Ganondorf’s childhood interactions with a merchant in Hyrule Castle Town. The merchant is disrespectful during their first meeting, as he sees Ganondorf as nothing more than a bratty kid. Ganondorf therefore learns the Hylian language spoken by the merchant in order to come back a year later and verbally cut him down before taking what he wants from his stock of musical instruments. Without becoming too political, Roy conveys the tensions of cultural differences, and there’s a certain charm in watching Ganondorf slice through the Gordian knot of xenophobic stereotypes.
The supporting cast receives a similar level of nuance and sympathy, especially Nabooru, a Gerudo leader who eventually rebels against Ganondorf. With Nabooru, as with Ganondorf, the reader is given a sense that the tragic story of the Gerudo could have gone a different way had circumstances been even slightly different. The comic ventures into many unexplored corners of Hyrule during its journey, but the artist’s design work is brilliant and remains faithful both to the world of the games and to their real-life cultural influences.
Only Power Remains is far from the first Legend of Zelda fancomic created by Louisa Roy, who has published a number of zines featuring side stories that allow the minor characters in the games to shine in their own heroic (or antiheroic) light. The publication quality of these comic zines is consistently excellent, from the layout to the lettering to the cover design. You can follow the artist as @om_nom_berries on Twitter and @om-nom-berries on Tumblr, and you can find her comics on her website (here) and browse through her zines on Etsy (here). If you’re interested in Only Power Remains, you can check out the listing is (here).