Given that the universe of the Legend of Zelda games is characterized by its disparate timelines, I’d like to think that there’s at least one timeline in which Zelda and Ganondorf work out their differences peacefully instead of enacting the cycle of destruction brought about by a war between two ancient gods. Every game in the series is filled with abandoned ruins that Link explores but never questions, so it might be interesting for Zelda and Ganondorf to seek out the truth underlying the legends that have shaped their lives. This idea was inspired by the game Journey, which is about bearing witness to the mistakes of the past in a quest for atonement and enlightenment. If we ever get to play as Zelda, it would be lovely for her adventure to take her in a similarly compelling direction.
This is a tribute to the iconic Zac Gorman comic, but with a twist.
I sometimes think about how Ganondorf more than likely didn’t start out as evil. I imagine that he probably went on a journey that paralleled Link’s, but his reaction to the secrets he found in hidden caves and forgotten temples was substantially different due to the circumstances of his life and destiny. While the Legend of Zelda games contain subtle elements of melancholy from Link’s perspective, Ganondorf’s story is more like a full-on Greek tragedy.
I saw a screencap of (this tweet) circulating on Tumblr after watching the recent teaser trailer for the Breath of the Wild sequel, and this is where my mind immediately went. People in the Legend of Zelda fandom say that they want “hot dad Ganon,” but be careful what you wish for!
I’d like to extend my sincere gratitude to Frankiesbugs for putting up with my awful dad humor and drawing this silly comic. You can find more of the artist’s cute and creepy comics and illustrations on Instagram, on Tumblr, and on DeviantArt.
Only Power Remains is an Ocarina of Time fancomic that explores the backstory of Ganondorf, the iconic villain of the Legend of Zelda games. According to the series lore, Ganondorf was the only male child born to the Gerudo, and otherwise all-female society living in the desert at the border of the kingdom of Hyrule. Through a series of connected scenes, Only Power Remains investigates how Ganondorf grew from a strong-willed boy to a power-hungry warlord.
This comic is a fascinating and insightful exploration of Ganondorf’s backstory that rings true to the Legend of Zelda canon while still being accessible to casual fans of the series. It also stands on its own as a cohesive story, and I would happily recommend it to curious readers who may not be familiar with the details of the Zelda games. Louisa Roy’s writing is sharp and original, and her vibrant and expressive art does a lot of heavy lifting in terms of introducing and developing established characters.
In her extensive “Author Notes” at the end of the zine, Roy explains that she especially enjoyed drawing Ganondorf’s childhood interactions with a merchant in Hyrule Castle Town. The merchant is disrespectful during their first meeting, as he sees Ganondorf as nothing more than a bratty kid. Ganondorf therefore learns the Hylian language spoken by the merchant in order to come back a year later and verbally cut him down before taking what he wants from his stock of musical instruments. Without becoming too political, Roy conveys the tensions of cultural differences, and there’s a certain charm in watching Ganondorf slice through the Gordian knot of xenophobic stereotypes.
The supporting cast receives a similar level of nuance and sympathy, especially Nabooru, a Gerudo leader who eventually rebels against Ganondorf. With Nabooru, as with Ganondorf, the reader is given a sense that the tragic story of the Gerudo could have gone a different way had circumstances been even slightly different. The comic ventures into many unexplored corners of Hyrule during its journey, but the artist’s design work is brilliant and remains faithful both to the world of the games and to their real-life cultural influences.
Only Power Remains is far from the first Legend of Zelda fancomic created by Louisa Roy, who has published a number of zines featuring side stories that allow the minor characters in the games to shine in their own heroic (or antiheroic) light. The publication quality of these comic zines is consistently excellent, from the layout to the lettering to the cover design. You can follow the artist as @om_nom_berries on Twitter and @om-nom-berries on Tumblr, and you can find her comics on her website (here) and browse through her zines on Etsy (here). If you’re interested in Only Power Remains, you can check out the listing is (here).
Ballad of the Wind Fish is a bittersweet narrative minicomic that uses the 1993 Game Boy game The Legend of Zelda: Link’s Awakening as a stage to explore the connections between childhood fantasies, nostalgia, and escapism.
The comic is twelve pages long, with one panel per page. I created it for the #Linktober drawing challenge on Instagram during October 2019, but it’s still very near and dear to my heart. Although the comic is ostensibly about Link’s Awakening, it’s really more of a meta exploration of a certain glitch in the original release of the game, as well as a meditation on being a child of the 1990s. I formatted it into a zine and created two pieces of polished art to use for the cover. It’s my hope that this short comic fills the reader with warm memories and sunny summertime vibes.
You can download a free digital copy from Gumroad:
If you like, you can buy a physical copy on Etsy:
The zine is 4.75” square, or roughly the size of a Nintendo DS game case. It’s professionally printed in vibrant full color, and it comes with a 3” circular vinyl sticker depicting the eponymous Wind Fish.
If you’d rather not bother with any of that, you can read the comic as I originally posted it on Tumblr (here).
This is based on a scene from the sixth chapter of The Legend of the Princess, a Legend of Zelda fanfic I wrote in 2017 and 2018. I was interested in exploring the character of Ganondorf, who I don’t read as “evil” so much as taking radical action in extreme circumstances. This doesn’t mean that he’s a good person, but rather that Hyrule is an awful place. For me, Ganondorf represents a lot of the issues involved in what might be called “the ethics of rage.” He is expressing anger in this scene, but Zelda is wise enough not to make assumptions about what he means when he says that “Hyrule will burn.”
I’d always wanted to write a Gothic romance set in a haunted castle, but I wasn’t taking this story seriously until Naomi sent me this comic, which inspired me to step up my own creative efforts. The quality of Naomi’s work helped me realize that what I was doing had the potential to become an interesting and meaningful story that was worth my time and effort. Although I’d started writing a fairly basic fantasy-themed murder mystery, I ended up with an exploration of the intersections between gender, race, power, and political responsibility. It’s always a pleasure to collaborate with a visual artist, and I consider myself lucky that someone as brilliant and talented as Naomi was willing with work with me on this project.