Given that the universe of the Legend of Zelda games is characterized by its disparate timelines, I’d like to think that there’s at least one timeline in which Zelda and Ganondorf work out their differences peacefully instead of enacting the cycle of destruction brought about by a war between two ancient gods. Every game in the series is filled with abandoned ruins that Link explores but never questions, so it might be interesting for Zelda and Ganondorf to seek out the truth underlying the legends that have shaped their lives. This idea was inspired by the game Journey, which is about bearing witness to the mistakes of the past in a quest for atonement and enlightenment. If we ever get to play as Zelda, it would be lovely for her adventure to take her in a similarly compelling direction.
Only Power Remains is an Ocarina of Time fancomic that explores the backstory of Ganondorf, the iconic villain of the Legend of Zelda games. According to the series lore, Ganondorf was the only male child born to the Gerudo, and otherwise all-female society living in the desert at the border of the kingdom of Hyrule. Through a series of connected scenes, Only Power Remains investigates how Ganondorf grew from a strong-willed boy to a power-hungry warlord.
This comic is a fascinating and insightful exploration of Ganondorf’s backstory that rings true to the Legend of Zelda canon while still being accessible to casual fans of the series. It also stands on its own as a cohesive story, and I would happily recommend it to curious readers who may not be familiar with the details of the Zelda games. Louisa Roy’s writing is sharp and original, and her vibrant and expressive art does a lot of heavy lifting in terms of introducing and developing established characters.
In her extensive “Author Notes” at the end of the zine, Roy explains that she especially enjoyed drawing Ganondorf’s childhood interactions with a merchant in Hyrule Castle Town. The merchant is disrespectful during their first meeting, as he sees Ganondorf as nothing more than a bratty kid. Ganondorf therefore learns the Hylian language spoken by the merchant in order to come back a year later and verbally cut him down before taking what he wants from his stock of musical instruments. Without becoming too political, Roy conveys the tensions of cultural differences, and there’s a certain charm in watching Ganondorf slice through the Gordian knot of xenophobic stereotypes.
The supporting cast receives a similar level of nuance and sympathy, especially Nabooru, a Gerudo leader who eventually rebels against Ganondorf. With Nabooru, as with Ganondorf, the reader is given a sense that the tragic story of the Gerudo could have gone a different way had circumstances been even slightly different. The comic ventures into many unexplored corners of Hyrule during its journey, but the artist’s design work is brilliant and remains faithful both to the world of the games and to their real-life cultural influences.
Only Power Remains is far from the first Legend of Zelda fancomic created by Louisa Roy, who has published a number of zines featuring side stories that allow the minor characters in the games to shine in their own heroic (or antiheroic) light. The publication quality of these comic zines is consistently excellent, from the layout to the lettering to the cover design. You can follow the artist as @om_nom_berries on Twitter and @om-nom-berries on Tumblr, and you can find her comics on her website (here) and browse through her zines on Etsy (here). If you’re interested in Only Power Remains, you can check out the listing is (here).