Category: video games

Corpse Party

~ Kathryn ~ Leave a comment

Corpse Party is a 16-bit RPG Maker horror adventure game from 1996 that was released on multiple platforms before finally finding its way, in a substantially updated form, to the Nintendo Switch. It shows its age, but it’s definitely worth playing if you’re into retro-styled horror adventure games.

Corpse Party is divided into five chapters, each of which stands as a discrete unit accompanied by its own set of save files that can be selected from the main menu. Every chapter has a number of optional bad endings, but you need to achieve the good ending in order to unlock access to the next chapter. If you’re using a walkthrough, each chapter takes roughly an hour to complete.

You play as various members of a group of high school students who stayed late after school one evening to tell ghost stories. They unfortunately trigger a curse that transports them to an abandoned elementary school building that was shut down in the 1970s after a grisly series of abductions and murders. Different students occupy different pocket dimensions of the school, which is almost entirely cut off from reality. To make matters worse, your group of students isn’t the first batch of kids to be spirited away to the school, which is littered with corpses and haunted by vengeful ghosts. Your goal is to help the kids escape the school… if that’s even possible.  

Corpse Party is extremely gory, and not all the kids are going to make it. The game contains intense depictions of mutilation and self-harm accompanied by vivid textual descriptions and occasional environmental illustrations of an uncomfortably graphic nature. The violence occupies an intersection between disturbing, gross, and campy, and I thought it was a lot of fun.

The main challenges of Corpse Party are of the standard “find a key to unlock the door” adventure game variety. The layout of the school changes from scene to scene, but it’s not large enough to get lost in. Aside from avoiding the occasional wandering ghost, there are no reflex challenges, and your characters are very rarely in any immediate danger. If there were jump scares, they didn’t register with me. The 16-bit character sprites are very cute, even when they’re depicting corpses.

As far as horror games go, Corpse Party is relatively chill, but with one caveat:

Corpse Party is completely linear and frustratingly opaque about what you need to do to trigger the next event in any given sequence. Unless you want to walk through endless dark hallways searching every square of the map, you’re going to need a walkthrough to get through the game. The walkthrough people use is (this one), but the walkthrough can sometimes be just as opaque as the game itself.

Personally speaking, I’m not the sharpest tool in the shed, but I managed to get through the first two chapters of Corpse Party without using a walkthrough. These initial two chapters stand on their own as a story, and I felt that they were actually the best part of the game. I think it’s probably safe to say that the opening of Corpse Party is more than enough to satisfy someone with a casual interest and playstyle.

The characters are usually divided into interesting pairs, and most of what you’ll do in the game consists of walking around inside the ruins of the school building while having conversations. The kids are very good about following horror movie rules – they don’t split up or do anything stupid – but they’re at the complete mercy of the ghosts of the original murder victims, who will change the layout of the school or create traps just to mess with them. For the most part, the kids are good and gentle and kind to one another, which makes it all the more upsetting when something bad happens.

The characterization and conversations aren’t that deep, however, so you never get so attached to any character that you don’t want to see them die. My favorite death is when one of the kids gets slammed against a wall so hard that his body explodes into red pulp, which all the rest of the kids have to walk through for the remainder of the game while navigating that particular hallway intersection.

Through disjointed and disconnected teamwork, your characters learn what actually happened to the ghosts haunting the school. For curious lore hunters, there are various bits of text scattered around, from newspaper clippings to messages left by other victims of the curse. These textual passages start off as grim and gradually grow more disturbing, and it’s always a pleasure to find something new to read. There’s also an optional collection quest that encourages you to find and interact with all the corpses in each chapter; and, if you like, you can return to the main menu and read about all the horrible ways these kids died.

It’s probably more accurate to call Corpse Party a “visual novel” as opposed to an “adventure game,” but it’s fun to explore the school while interacting with various objects in the environment. It’s also fun to gain access to new areas, both to learn more about the story and to see more of the game’s pixel art. One of my favorite areas is the outdoor pool in Chapter 4, which is filled with waterlogged corpses and preceded by a hellishly filthy locker room. Good times.

Despite its frustrations, I really enjoyed Corpse Party, and the English translation created by XSeed is fantastic. While reading the game’s Wikipedia page (here), I learned that there’s a manga adaptation (here), and I had so much fun exploring this horrible haunted school that I started reading it. It’s just as ridiculous and over the top as you’d expect from a manga adaptation of a horror game, but each chapter has one or two really great horror scenes enhanced by lovingly detailed and disturbingly gruesome artwork.

The Memory of Stone

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I wrote “The Memory of Stone” back in 2020, when the announcement of a sequel to Breath of the Wild encouraged many Legend of Zelda fans to speculate that the game would feature Princess Zelda as a playable character. I returned to this story after finishing my second playthrough of Tears of the Kingdom, which reduces Zelda to a voiceless source of crafting materials. It was a disappointment, to say the least.

One might argue that there are other games with female protagonists, so why insist on playing as Zelda? I would counter this argument with another question: why not play as Zelda? The concept of Zelda as a playable character makes perfect sense within the context of the games’ stories. Link’s journey almost always runs parallel to a journey that Zelda undertakes on her own, after all, and being able to explore Hyrule with a different set of skills (and from a different narrative perspective) would be a lot of fun.

“The Memory of Stone” follows Zelda through each of the temples in Ocarina of Time, and it’s a small attempt to imagine what the eponymous “legend of Zelda” might look like through the eyes of Zelda herself.

You can read the story on AO3 here:
https://archiveofourown.org/works/25230271

The illustration of Sheik included in the story preview graphic was drawn by the revolutionary Nolvini, a fan of shōjo anime who creates magical character illustrations filled with personality and flare. You can check out her work on Twitter (here), on Instagram (here), and on Tumblr (here), and she also has a shop on Etsy (here).

Love in the Time of Gloom Spawn

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After years spent investigating the mysterious shrines of East Necula, Dr. Calip has joined the Zonai Survey Team’s efforts to study the Ring Ruins of Kakariko Village. The ancient structures are fascinating, but what has captured Calip’s attention is the chasm in the forest on the hill. While Calip has been gazing into the abyss, however, the leader of the Zonai Survey Team has been gazing at him.

As I grow more impatient with grand narratives of nation-building and heroic destiny, I’ve become more interested in how epic fantasy universes appear to normal people. Hyrule is especially fascinating as a case study, as the privileges enjoyed by Link clearly aren’t applicable to everyone else. This is especially true of the knowledge Link accumulates over his journey, during which the secrets of prior eras are revealed to him alone.

In the present postapocalyptic era of Breath of the Wild, it seems the only person trying to study and understand Hyrule is a scholar named Calip, who lives in an isolated cabin as he attempts to stage an archaeological investigation into the site of one of the ancient Sheikah shrines. As an academic, Calip is a pompous asshole. Regardless of “Dr.” Calip’s self-serving motives, I admire him as a character who investigates the world and tries to understand it instead of simply killing things and accumulating treasure.  

Perhaps because of the popularity of the fandom’s speculation and study of Hyrule, Tears of the Kingdom leans into the ethos of archaeological inquiry with the establishment of a large and diverse set of NPCs forming the Zonai Survey Team. This Sheikah-funded research organization is led by a brick house of a character named Tauro. Tauro has set himself up in Kakariko Village, which has been beset by ruins falling from sky islands and a giant pit opening in the forest on the eastern hill.

Given their interests, it’s only natural that Calip and Tauro would interact. When you read the diaries that Calip has left at his former cabin and at his desk in his office in Kakariko, you learn that Calip is undeniably attracted to Tauro, who apparently went out of his way to invite Calip to work with him. Late in the game, the two men abandon their duties to run off and do research together. I think is a sweet lowkey love story – and even Kotaku agrees, apparently!

The emphasis on archaeological excavation in Tears of the Kingdom is somewhat problematic. In essence, the kingdom of Hyrule had a state-building myth that justified its sovereignty over the surrounding regions, and the result of the archaeological study performed by state-sponsored Zonai Survey Team is the demonstration that these myths were true in the most literal sense. Yes, there are evil outsiders who will kill everyone if they get the chance; and yes, only the royal family and its servants can protect everyone; and yes, the royal family is literally descended from gods/dragons. It’s all kind of gross.

What I therefore appreciate about the implied love story between Calip and Tauro is that they turn their backs on the politics of ancient texts and leave Kakariko so that they can go out into the woods and look at ruins together. For them, curiosity about the world has nothing to do with national mythologies and everything to do with the connection they feel to the people who lived on the land before them – and the connection they have with each other.

Because I am apparently incapable of creating anything that doesn’t have monsters, however, the story I wrote about Calip and Tauro ended up being a horror story as much as it is a love story. It has a happy ending, but it also has a healthy dose of eldritch horrorterrors. Phantom Ganon also makes an appearance, because of course he does.

The story is complete at 4,000 words, and you can read it on AO3 here:
https://archiveofourown.org/works/51328888

The illustration is by the marvelously talented Martina Belli, whose magical artwork helped me bring these two characters and their story to life. Marty paints dynamic portraits of fantasy characters and dramatic science fiction scenes, and she excels at creating compositions that draw the viewer into the world of her art. It was a lot of fun to work with her, and I highly recommend following her creations on Twitter (here).

Afterdream

~ Kathryn ~ 1 Comment

Afterdream is a 2D horror adventure game with puzzle elements and lo-fi pixelated graphics that takes between two to three hours to finish. It’s on Steam, but I played it on Nintendo Switch and had a fantastic time. Afterdream drops you right into the story and immediately grabs your attention, and its pacing is impeccable. The horror is mostly atmospheric, but the game features a great set of jumpscares mixed with short segments of heightened tension.

Afterdream isn’t for people who can’t tolerate horror, but I’d happily recommend it to anyone else who’s interested in trying out a short, original, and creative story game. The puzzles are fun but not too difficult, and the environmental design is really something special.

You play as a woman named Jennifer who wakes up in a filthy derelict room wearing a suit she doesn’t own. During the intermittent frame story, Jennifer relates this situation to an older man who seems to be a psychiatrist, claiming that she’s experienced an unusually realistic nightmare.

Within this nightmare, Jennifer’s job is to navigate a series of haunted houses while finding a series of objects for a series of NPCs. There are no Professor Layton style puzzles relating to number games or spatial arrangement challenges; rather, Afterdream’s puzzles are mainly fetch quests reminiscent of old-school adventure games in which a certain object needs to be applied to a certain environmental obstacle, like a key being needed to unlock a door.

The challenge, such as it is, lies in being able to form a mental map of each area and remembering what goes where. The game mechanics are extremely simple and intuitive, and there are no inventory limits or menu screens to distract the player from the immersive environment. It’s always clear what you can interact with, and the in-game text isn’t cryptic about what needs to happen.

The haunted houses don’t reveal their secrets willingly, but Jennifer is aided by a Polaroid ghost camera that she can use to scan her surroundings. The oddities exposed through the camera’s viewfinder become real once photographed. You might hear an odd ticking sound, for example, in which case your camera will reveal a ghostly clock on the wall. It’s a neat game mechanic, and it’s put to good use in a nice variety of situations.

Jennifer begins in an old and rotting apartment building and then progresses to a fancier but similarly ruined mansion, wherein a helpful ghost tells her that she’s been given an opportunity to make contact with the spirit of her recently deceased father. In order to summon his ghost, Jennifer must first find a special “portal object” hidden within the liminal space between life and the afterlife. Unfortunately, no one can say what this object looks like or where it’s hidden.

Still, Jennifer has no choice but to keep moving forward through progressively spookier areas. As a special present to me personally, there’s a dark and grimy sewer level, and it’s wonderful. There’s also a “creepy little town” level, and it’s beautiful and I love it.

Even though the game is divided into discrete stages, its story isn’t formulaic. To lighten the heavy atmosphere, the writing employs humor at key moments, with both Jennifer and the NPC ghosts occasionally poking fun at the absurdity of various situations. I really enjoyed the instances when I thought something horrible was going to happen but everything actually turned out to be perfectly wholesome. The pacing is excellent, with plenty of fun character interactions and chill periods of downtime between the creepy bits and jumpscares.

Afterdream is the perfect length for its story, and its gameplay goes from strength to strength as its setting becomes stranger and more disturbing. It might not be to the taste of people looking for more action or more explicit horror, but it was perfect for me.

One final thing: When I first saw the game’s trailer, I was like, “This looks cool, but I hope you can turn off the strobe effects.” And thankfully, you can in fact turn off the strobe effects. It’s always nice when game developers take this sort of accessibility issue into consideration.

List of Cozy Horror Games on Sidequest

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To celebrate Halloween and everything autumn, Sidequest created a list of cozy horror games for people who enjoy the themes and aesthetics of spooky season but aren’t into jumpscares or explicitly ghoulish imagery. I love every game on this list, and I had a lot of fun writing about three favorites of my own. Here’s a set of excerpts:

Six Cats Under

Despite its grim premise, Six Cats Under is a chill game with cute pixel graphics and an ambient lo-fi soundtrack. Even watching a short playthrough on YouTube is relaxing.

What Remains of Edith Finch

This is the perfect Pacific Northwest Gothic setting for a haunted house story, but Edith’s former home is actually quite beautiful and charming. Adding to the game’s coziness is its comfortable two-hour playtime, as well its clearly signposted guidance along the critical path.

Night in the Woods

Although you’ll gradually uncover the town’s secrets during the days leading to and following Halloween, your main goal is to reconnect with old friends in dead malls and empty grocery store parking lots after spending your afternoons strolling through streets filled with gorgeous fall foliage.

I think it’s worth commenting on my criteria for what makes a game “cozy.”

Accessibility is a major factor. You should be able to play a cozy game at your own pace without having to worry about the anxiety of time limits or the frustration of losing progress. Another key element of cozy games is their ability to inspire a sense of comfort through visual presentation. “Cozy graphics” aren’t disposable Instagram aesthetics, but rather a commitment to a distinct visual style that feels hand-crafted and deliberate in its expression of the game’s themes.  

More than anything, a cozy game uses its relaxed vibes to create a safe space to ask meaningful questions that the player wouldn’t have the energy to engage with otherwise. Cozy games should be thought-provoking but casual, like a conversation with a friend in front of a fire.  “Cozy horror” isn’t an oxymoron, then, as cozy games are perfect for the long nights when you can bundle up, get comfortable, and take the time to study the shadows lurking in the darkness.

You can check out Sidequest’s full list of cozy horror games here:
https://sidequest.zone/2023/10/30/sidequests-favorite-cozy-horror-games-for-weenies/

They Only Come Out at Night

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Grog has noticed a number of peculiarities in Kakariko Village. Eerie lights flicker in the mountain valley after dark. Murky black water fills the old stone well that no one uses. Golden spiders spin their webs under the eaves of abandoned buildings. Little does Grog know that the legendary Sheikah of Kakariko still live, and that they are watching.

I’m one of the many children of the 1990s who read Stephen King way too young. I think I must have been ten years old when I first encountered the IT, and I read the novel like it was Harry Potter. I was too young to understand a lot of what was going on, but what I took away from the story was a lifelong fascination with haunted towns.

This is one of the many reasons why I love Kakariko Village in Ocarina of Time. Like Derry, Kakariko seems pleasant and idyllic in the daytime, but all manner of horrors creep through its sewers. Over the course of his journey through Hyrule, Link learns that Kakariko is a Disneyland-style stage setting that covers an underground labyrinth of corpse-choked dungeons. Impa opened the depopulated village to the refugees from the civil war that left Link an orphan, which means many of the people living in Kakariko have no idea what their homes are standing on top of.

I’m curious about the perspective of normal people who live in fantastic worlds, and I’m particularly interested in Grog, the odd young man who greets Link at the entrance to Kakariko after dark. His dialog is iconic: “People are disgusting. My own father and mother are disgusting. You must be disgusting, too!”

When Link returns to Kakariko after seven years, Grog is nowhere in sight. No longer a surly teenager who resents his parents, Grog has gotten himself caught up in some truly strange business. It was only when I played Ocarina of Time as an adult that I was able to put together all the pieces of Grog’s story, which ends with his death (or perhaps suicide) in the Lost Woods.

I think Grog’s unfortunate fate is representative of what happens to people in Hyrule who see too much or ask too many questions. He’s therefore a fun character to use to look at Kakariko from an outsider’s perspective while speculating on what may have happened to the Sheikah. “They Only Come Out at Night” uses some of my favorite Stephen King tropes to tell a story about a deeply haunted village, and I really enjoyed writing it.

If you’re interested in peering into the shadows, the story is on AO3 here:
https://archiveofourown.org/works/51149224

I wrote this piece for The Eyes of Hyrule, a Legend of Zelda fanzine about the mysterious Sheikah clan. The zine will hold leftover sales on Etsy (here) during November, and you can check out more of the work appearing in the zine on Twitter (here) and on Tumblr (here).

For the story illustration, I was fortunate to be able to join forces with Frankiesbugs, a true master of cute and creepy art. You can follow their work on Instagram (here) and on Tumblr (here). I also recommend checking out their current video game project in development, which is on Steam (here) and on Instagram (here).

List of Free Short Horror Games on Sidequest

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I’m excited to share a project I’ve been working on for several months: an annotated list of ten retro horror games that are free to play on Itchio. I posted reviews of many of these games here on this blog over the summer, and I’m grateful to the amazing editors at Sidequest for allowing me to refine my thoughts and present everything in one article.

To me, one of the fun things about indie retro horror games is that many of them deliver their central idea with as much concision and impact as possible, allowing the player to become thoroughly spooked in one sitting. So that readers can get a decent idea of what to expect, I organized my list according to roughly how long each game takes to play.

If you’re interested, you can check out the article here:
https://sidequest.zone/2023/10/23/ten-short-horror-games-on-itchio/

I really enjoyed putting this list together, and I’m looking forward to making another one next year!

Essay about Evergrace on Sidequest

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My summer replay of Elden Ring triggered memories of an obscure PlayStation 2 game from 2000 called Evergrace. When I went online to see if anyone else had made the connection between Elden Ring and Evergrace, I was surprised to find that I seem to be one of the few people who remember this game. I did some deep digging and ended up writing an essay for Sidequest about why Evergrace is a forgotten FromSoft classic worthy of critical attention. Here’s an except:

Even in this brief description of the setting of Evergrace, FromSoft fans will notice various seeds of worldbuilding that have since sprouted into more developed forms in later titles, from the Darksign marking the Chosen Undead player-character in Dark Souls to the queen imprisoned in the towering Erdtree in Elden Ring. As I read about Evergrace, I was fascinated by the earlier forms of signature FromSoft leitmotifs that appear in the game, just as I was intrigued by its challenging elements of gameplay that would later evolve into the characteristic trademark of the Soulslike genre of video games.

You can read the full essay on Sidequest here:
https://sidequest.zone/2023/09/25/evergrace-a-forgotten-fromsoft-classic/

I’d love to write a substantial academic article about Evergrace, but I’m hindered by the fact that I can’t actually play the game without investing in a desktop computer that can run a PlayStation 2 emulator. Hopefully this essay presents a strong argument for textual documentation of classic titles, as well as freely accessible video game archives.  

Hyrule Fashion Anthology Preorders

~ Kathryn

Hyrule Fashion Anthology is open for preorders (here)!

Hyrule Fashion Anthology is a fanzine celebrating the complex evolution of fashion history through the characters and setting of the Legend of Zelda series. I contributed an essay titled “A Wind-Grieved Ghost” about the influence of medieval Japanese Noh theater on Ganondorf’s costume and character in The Wind Waker. I put a lot of love and research into this piece, and I may have even made myself cry.

The zine is filled with gorgeous fashion illustrations that illuminate the historical and cultural influences of the character designs in the series, as well as brilliant renditions of fan-favorite characters in a diversity of times and places. In addition to the artwork, the zine also includes articles about weaving, metalworking, and the beauty of style in all its forms.

Preorders are open until September 19!
If you’re interested, you can check out the zine through these links…

✨ Carrd: https://hyrulefashionanthology.carrd.co
✨ Twitter: https://twitter.com/HyruleFashion
✨ Bigcartel: https://hyrulefashionanthology.bigcartel.com

Review of Soul Void on Sidequest

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I recently had the pleasure of writing a review of the Game Boy horror adventure game Soul Void for the online gaming magazine Sidequest. I love Soul Void, and I’d describe it as Undertale for people who love quirky adventures with elements of horror but hate bullet hell. Although the horror elements of Soul Void are quite gruesome, it’s accessible to players of all skill levels. The game is free to play on Itchio (here), but I’d recommend playing it on a Game Boy emulator like mGBA, which you can download (here). Here’s an excerpt from my review:

Soul Void is a dark fantasy Game Boy adventure game that takes about three hours to finish. Its story of a young woman navigating the perils of the underworld is intriguing and cathartic, and its art design makes incredible use of the eeriness of its retro pixel graphics. For anyone who enjoyed the characters and worldbuilding of Undertale, Soul Void offers a similarly offbeat odyssey of mystery and friendship illustrated with disturbing but brilliantly creative horror art.

You can read the full review here:
https://sidequest.zone/2023/08/21/review-soul-void-dives-deep-into-retro-body-horror/

I want to give a big shout-out to my editor, Maddi Butler, for helping me get my thoughts in order and work through some of the more interesting themes of this game. I’d also like to thank the Sidequest Editor in Chief, Melissa Brinks, for giving me an opportunity to write about Soul Void, and for allowing me to expand on my thoughts about this amazing game. For excellent writing and commentary on video games, you can follow Maddi on Bluesky (here) + Melissa on Twitter (here). If you’re in the mood for gorgeous horror art, you can follow Soul Void’s creator, Kabadura, on Twitter (here) and on Instagram (here).